Nabihah Iqbal has hosted radio shows on NTS and BBC networks like Radio 1, 1Xtra, Asian Network, World Service and 6Music since 2013. Since her debut album was released on Ninja Tune in 2017, Nabihah has toured the world extensively as both a live act and DJ. Performance highlights include the V&A Museum, MoMA PS1 and SXSW as well as Glastonbury Festival, Warehouse Project, Printworks, Boiler Room, Worldwide Festival and Sonar. Nabihah Iqbal was also the featured vocalist on SOPHIE's breakout hit Lemonade.
Nabihah Iqbal shares her long awaited new album ‘DREAMER’. Five years on since the London-born artist, curator, broadcaster and lecturer's debut ‘Weighing Of The Heart’ was released and two years in the making, ‘DREAMER’ is Nabihah’s rawest and most reflective work to date.
The record arrives at a pivotal time for Nabihah who has made her prolific work rate look effortless with a resume as varied as her music having recently collaborated with artist Zhang Ding, been commissioned to compose music for the Turner Prize, collaborated with Wolfgang Tillmans as part of his Tate Modern exhibition and was recently involved in a group performance at the Barbican as part of its major Basquiat retrospective. She has also contributed to Serpentine's recent book '140 Artists' ideas for Planet Earth' and has given guest lectures at the Royal College of Art. In 2022 Nabihah was announced as a guest director for England’s largest multi-arts festival, Brighton Festival in may 2023, her “biggest, most challenging and exciting curatorial position” to date.
‘DREAMER’ see’s Nabihah reflect on her experiences during the early months of 2020, when her studio was burgled. All her work was lost, including her long-awaited album. Already suffering from a broken hand and a severe case of burnout, she felt helpless. While the forensic police looked for fingerprints in her studio, she received a call. It was her grandmother; her grandfather had suffered a brain haemorrhage. Nabihah got on a plane to Karachi, Pakistan the next day. “Going to Pakistan turned into a blessing in disguise,” she says. “It affected my perspective on music. At the time, being forcefully removed from the whole scenario of the burglary felt frustrating, but it was the best thing that could have happened.” Nabihah spent those months remembering why she made music in the first place. She went back to basics and bought an acoustic guitar and a harmonium.
It is a wrenchingly intimate and sweetly playful project. There is a pronounced melancholy underpinning the album, but cracks of sunlight make their way out. Ultimately, ‘DREAMER’ signals a shift, elevating Nabihah’s work to new heights as she adds new colours to her palette.
